Thursday, 3 November 2011

The Five Stages of Writing: From Ideas to Final Product

Do you ever find that sometimes your writing flows beautifully and other times it is impossible to get started or to keep going? One piece of insight into why this often happens is that not all writing is created equally. There are many different kinds of writing and most writers find some parts easier than others.


Figuring out how you function at each stage of the writing process will help you to anticipate writing challenges and to figure out how to overcome them.

David Methuen in the play "Monday Next", Theatre Royal, Hobart, ca. 1950-1952 / photographer unknown

I recently signed up for Academic Book Writers Month, using the twitter hashtag: #AcBoWriMo to post my writing progress during the month of November. When I signed up, I realized that the focus of Academic Book Writers Month is to produce new words, but that my writing goals for November nearly all involved revising. I moved a few things around, and set myself a goal of writing at least 400 words a day on a chapter of a book that is due at the end of the month. Now, I start each day churning out those 400 words. This has worked well for me, because I am most invigorated by the early stages of a writing project and write best first thing in the morning.

Writing new prose each morning has reminded me that there are different stages to the writing process, and we draw from different sorts of energies to complete each stage. Most of us excel at one stage, but do less well at others. It can be helpful to reflect on the various stages of writing and to become aware of which stages you like best. Here are the stages, as I see them:

Stage 1: Conceptualization

– This is when you are coming up with ideas and writing the first rough draft. If you are inhibited by perfectionism, the best way to get through this stage is to not worry about grammar, coherency, or format, but to focus on getting your ideas onto paper. (Profacero pointed out in an comment on this blog that not all academics have problems with perfectionism, so it is crucial to ask yourself if this is actually an issue for you before trying to solve it.) When you are at this stage, it often works well to write first thing in the morning when your ideas are fresh and you are ready to forge ahead. Although this is the most exciting stage for many, it also is the stage when we are most unsure of where we are going, and thus can be subject to feelings of self-doubt about the worth of our work. If you are stuck at this stage, one strategy is to put a pillow-case over your computer screen and just type away for fifteen to thirty minutes. Not being able to see your writing will help you to feel less threatened by the blank screen and less inclined to go back and correct errors.

Stage 2: Pulling together

– This is when you re-organize your free-writes, brainstorms, previous work, and literature summaries into a coherent first draft. Some people do this on the screen; others cut and paste using real scissors and paper. Whatever you do, it is important to think about how you think and organize best and develop a system that allows you to create a coherent first draft. At this stage, you might find yourself staring at documents on and off-screen and struggling to decide on the best format. Despair not: If you are working on this every day, those ideas are percolating in your head, and you soon will come up with a workable format. If you are feeling stuck, try printing out your documents and using a creative, visual format of re-organizing your ideas such as cutting and pasting pieces of colored paper onto a corkboard.

Stage 3: Revision

– This stage is when you have a complete first draft and are ready to make it better. It can be very helpful to give this first draft to a trusted colleague, telling them that this is your first shot at the paper, and that you are looking for constructive feedback on organization and suggestions for expanding the background and theoretical literature. Some people do revisions by hand by printing out each version and writing on the typed page. Others are comfortable doing edits on screen. When I am in the revision stage, I like to carry a copy around with me, so that I can squeeze in edits whenever I have time. If you are stuck at this stage, the best solution can be to find someone to read and give you positive feedback to help you move forward.

Stage 4: Copy-editing and References

– At this stage, you have a complete, revised draft with your conceptual framework, literature review data, analysis, introduction, and conclusion, all in order. You just need to dot the i’s, cross the t’s, check your citations and run your spell-check. This step is very important, as you want to make sure to put your very best foot forward. If you have trouble moving forward at this stage, hiring a professional editor can be a fabulous investment.

Stage 5: Submit

– You are finished, and just need to figure out the online or mail-in process to submit your work! If you are stuck at this stage, it could be helpful to talk to friends who have read your work, know how fabulous it is, and can encourage you to press the “submit” button sooner rather than later!

It helps my productivity to be aware that there are different kinds of writing, and that my energy and concentration levels determine which kind of writing I can do most effectively. Creating new prose takes the most concentration for me, and I usually like to do this when I have a bit more time to reflect and process information. Line-editing, on the other hand, I can do even if I have just five minutes to look at a paragraph.

When you plan for your writing for the coming week, it might be helpful to look at your calendar and figure out what sorts of tasks you are best able to do each day. If you don’t teach on Monday, that might be the best day to draft a new section or to re-organize Chapter Two. On Tuesday morning, you might have fifteen minutes before preparing for class to check the bibliography for that almost-completed article.

Friday, 28 October 2011

Taking the Mental Leap: Thinking of Yourself as a Writer

Like most writers, I was an avid reader as a child. It amazed me that a person could weave together a story, keep a reader engaged, and have the imagination to make a story come alive. I dreamt of writing my own book, even though it seemed to be an incredibly daunting task.

Dick Preston, radio, film-maker, April 1951 from Lincoln Coffee Lounge & Cafe, Rowe Street, Sydney / photographed by Brian Bird

It seemed nearly impossible to write a book in part because writers appear to have magical gifts that enable them to create enthralling prose. I have since learned that this is not the case. Writers are not people who are born with natural gifts. Beautiful streams of words do not simply flow from writers fingertips. Instead, writers are people who write. Good writers are those who write a lot. Great writers are those who write a lot, revise often, and consistently push themselves to improve their prose.

Anne Barrett from Lincoln Coffee Lounge & Cafe, Rowe Street, Sydney / photographed by Brian Bird c. 1948-1951

Ernest Hemingway, considered one of the best American writers, famously once said:
“The first draft of anything is shit.” 
He also reportedly said:
“There is nothing to writing. All you do is sit down at a typewriter and bleed.” 
Being a writer, then, simply involves letting your fingers loose on a keyboard.

Because we mystify writers and the writing process, it is often hard to think of ourselves as writers. Those of us who are academics rarely think of ourselves as writers, even though writing is a major part of our jobs. The reality is that, if you can make that conceptual leap and begin to think of yourself as a writer, as Robert Boice suggests professors should do in Professors as Writers: A Self-Help Guide to Productive Writing, you will write more and become a more successful academic. If you focus on becoming a better writing, your prose will improve and your readers will thank you.

In a recent post, academic blogger, Jonathan Mayhew, wrote:
“One way you know you are a writer is if you are reading other writers for the pure pleasure of style, if you take lessons from the great novelists and essayists of the language in which you are writing.”

As Jonathan implies, thinking of yourself as a writer involves focusing on becoming a better writer. For many academics, thinking of yourself as a writer involves a great mental leap. It is a mental leap well worth taking.

What Does It Take to Be a Writer?

Here’s the deal:


  • You don’t have to look like a writer to be a writer.
  • You don’t have to enjoy writing to be a writer.
  • You don’t have to have been born with a magical gift to be a writer.
  • You don’t have to be an eloquent speaker to be a writer.
  • You don’t have to have the biggest vocabulary in town to be a writer.
  • You don’t have to live in New York or San Francisco or anywhere else in particular to be a writer.
  • You don’t have to smoke cigarettes, drink coffee, have unkempt hair, or wear skinny jeans to be a writer.
  • You don’t have to have already finished a book to be a writer.


To be a writer, you do have to read. And, you have to write.

To be a great writer, you have to write often, persevere through hard times, withstand rejection, revise consistently, and keep on writing.

What about you? Do you think of yourself as a writer? Would you like to become a better writer? What are you doing to become a better writer?

Friday, 21 October 2011

Find Your Prime Time and Use it to Write

For me, mornings are a very special time, because mornings are the best time of day for me to write. At the crack of dawn, before my family wakes up, and a little later, right after everyone leaves the house are the two best times for me to write.


toronto sunrise

Mornings are special because they only happen once a day, and they are the times I can be most productive. I wake up every morning, make an almond milk latte, eat 12 almonds, open up my laptop, and start hitting the keys.

It took me a while to figure this out for myself, but now that I am certain of when my prime time is, I do whatever I can to ensure that I write each morning.

My Prime Time for Writing is in the Morning, so That's When I Write

If I miss out on writing early in the morning, it is very likely that I will not get any writing done that day. In addition, since I know how productive I can be in just 30 to 60 minutes early in the morning, I feel as if it is a waste to use that time any other way. Why spend my most precious moments of the day running errands, responding to emails, shopping online, or filling out university-mandated forms when I can spend them writing? For me, the morning is prime time, and that is when I write.

Once I have done my writing for the day, even if it is a busy day and I can only get in 30 minutes, I can face the remainder of the day knowing that I have started off using my time wisely. I have already made progress on that which is most important to my long-term success: I have written.

Everyone Has a Prime Time. When is Yours?

Everyone has their prime time, and it likely occurs at roughly the same time every day. Do you know when your prime time is? If you don’t, ask yourself the following questions:

When you are most alert?
When is your mind the clearest?
When do you find it easiest to focus on one task?


If you still don’t know, the best way to find out is to try. Spend every day next week, Monday to Friday, trying to write as soon as you get up. If it doesn’t work, try a different time.

Those who have families may find it difficult to write first thing in the morning. Some people are able to wake up very early and write for 30 to 60 minutes before the rest of the family wakes up. Others spend their mornings getting everyone else out of the house and then get their writing done once everyone leaves. Others have to drop kids off at daycare and school, and seek refuge in a coffee shop after dropping everyone off. Still others make sure that writing is the first thing they do when they arrive in their office.

What if Your Prime Time is Not in the Morning?

Some people are not at their best in the mornings, so it is not their prime time. If this is the case for you, perhaps the afternoon will work. One of the problems with trying to work in the afternoon is that, oftentimes, all that has transpired in the morning can be an emotional burden. One way to manage this is to have a lunchtime workout. Physical activity is a great way to cleanse the mind. I knew of one woman who had to teach early in the morning, making it difficult to write first thing in the morning. So, she wrote in the afternoons. After teaching her two classes, she went straight to the university pool, where she swam for 45 minutes. After swimming, her mind was clear and fresh, and she was able to sit down and write for two hours. One great thing about this strategy is that she knew she would write after swimming, so her time in the water was also time she could prepare mentally for her writing session.

There are some people who truly are night owls and can write late in the evening after everyone in their family has gone to bed. Honestly, I know many people who tell me this is the best time for them to write, but who find it difficult to make it happen every day, especially once they have children. However, I know it can work for some folks.

The trick is to find ways to make writing happen. If your prime time is late at night, an evening walk, workout, cup of hot tea, or yoga session might be a useful pre-writing routine. It is also probably a good idea to have a light dinner and to figure out a way to make lunch your main meal of the day as a large meal may make you sleepy and less productive. If you plan to write at night, it is best to avoid the after-work happy hour, although I do know a woman who writes at night with a glass of red wine on her desk. If you do write in the evenings, allow yourself time after writing to relax and clear your mind before going to sleep.

One of the keys to writing every day is to figure out when your prime time is. Once you know when the best time for you to write is, and you make it a habit to write every day at that time, you will begin to see that time as non-negotiable. If you only have a prime time of 60 minutes each day, why spend it on anything other than the most important task of your day?

Friday, 14 October 2011

How to Write an Effective Literature Review: Distinguishing between theoretical and contextual literature

Literature reviews of articles, books, theses, and dissertations often can take an enormous amount of time to complete. One way to complete a literature review more quickly is to develop reading strategies that help you move forward.


Reading (30th/52)

Reading strategies can be just as important as writing strategies.

In Writing Your Journal Article in Twelve Weeks: A Guide to Academic Publishing Success, Wendy Belcher argues that it is just as important to develop effective reading strategies as it is to develop effective writing strategies, because it is impossible to read every published work in your area of research. One of the distinctions Belcher makes is between contextual or background literature and theoretical literature. I have found it very useful to make a similar distinction when reading for and writing a literature review.

Conceptual vs. theoretical literature

When writing a literature review, it is crucial to distinguish between 1) theoretical literature: scholarly writing that helps you to build and sharpen your conceptual focus; and 2) contextual or related literature: articles and books that are closely related to your area or subject of research. Making this distinction is important because you will have to read closely every work that forms part of your core theoretical framework, but can often do a quicker read of those articles that are part of your background literature.

For example, I recently wrote an article on the transnational ties of deportees in Jamaica. The literature on transnationalism is expansive. I thus had to choose a few key theorists in the field and use their works to define transnationalism. There was no way I could read everything that had been written: a Google Scholar search turned up 31,700 results for transnationalism. Instead, I chose: 1) highly cited and foundational works in the field and 2) recent articles and books on transnationalism. I used these sources to develop my own conceptual framework. In all, I used about a dozen sources to form the basis of my conceptual framework. Once I chose the key sources on transnationalism, I had to read those closely and make sure that my understanding of the concept was clear and in line with the most prevalent and recent thinking on the topic.

The article, however, has many more citations than those select few sources that make up the conceptual framework. The difference is that I did not have to read and ponder these background sources as closely. This background literature situates my arguments and findings in the field and consisted of works that deal with:


  • Deportation: Other academic studies of people who have been deported as well as government reports on the numbers of people deported.
  • Jamaican migration: Other academic studies of Jamaican migrants.
  • Jamaica: Books and articles on Jamaica to allow me to talk about the contemporary situation in Jamaica.
  • Other studies of transnationalism: In addition to reading about transnationalism to build my theoretical framework, I read other studies so that I could compare how Jamaican deportees experience transnationalism with other transnational actors.
  • Methods: I cited a couple of articles that use similar methodologies.
  • Secondary conceptual frameworks: Transnationalism is the primary theoretical framework, but, while writing, I decided to also talk about gender and stigma, and thus cite works that deal with those concepts.


In all, I skimmed and read scores of articles to write this one article. However, I did not closely read every single article or book that I came across. Instead, similar to the process I described in last week’s post, I searched the literature, took notes, and develop a schematic framework for the literature review.

It was only when I was developing the conceptual framework – transnationalism – that I had to read the articles closely and engage with the literature on a deep level. I also had to take time to think about transnationalism and allow the concepts to simmer in the back of my brain. Distinguishing between background literature and conceptual literature can be useful as it will help you to figure out what articles and books you need to read closely and think about deeply and which ones you can skim or read more quickly.

For me, writing this is a helpful reminder, as I am currently writing a new article about citizenship. A search on “citizenship” in Google Scholar turns up 817,000 sources. Of courses, I never will be able to read all of those. Again, I have to decide what the core literature is and draw from that to come up with my own working definition of citizenship to make my own conceptual framework.