Seek Out Your Writing Inspiration: How to Find the Ideal Writing Spot

Writing requires concentration and lots of mental energy. That is one reason where you write is important. If you are in a location that it not conducive to concentration or is uninspiring, it can be hard to get your writing done.

In an ideal world, I would be writing in a large, clean, sparsely decorated room with inspiring objets d’art, and two huge picture windows. One picture window would have an amazing view of the sea, and the other of snow-capped mountains. Aside from the geographical feasibility of that ideal location, it is simply an ideal, not my reality. But, knowing what my ideal location would be tells me some things about the kind of places I should seek out for writing. It is important for me to be somewhere with something nice to look at. I draw inspiration from my surroundings. It is also best if I am in a quiet place, with few distractions.

What would your ideal writing location look like?

Do you enjoy the quiet or do you like a bit of bustling around you as you write? How important is your view? Do you prefer to write in a warm place or a cool place? Do you want to hear birds chirping, conversation buzzing, classical music, top 40 hits, cars whizzing by, or nothing at all? There is no right or wrong answer to this question, but thinking of your ideal writing spot can help you figure out where is best for you to write and where is simply not conducive.



I know for sure that the most important thing for me is a minimum of distractions. That is why it is sometimes difficult for me to write at home, where there is laundry to be done, clothes to be picked up, plates to be washed, and lots of snacks in the kitchen to be eaten. My office can be a good location sometimes, but only when it is fairly well organized and my door is closed – signaling to potential visitors that I am busy.

My office and home have the advantage of being quiet, for the most part. And, I prefer the quiet for writing. But, I am willing to sacrifice that for the lively energy of a coffee shop. Thus, two days a week, I make my way to a local coffee shop to write. When the next table gets a bit rowdy, I pull out my earphones and put on classical music.

Other people find that quietness is the most important aspect of a writing space. Thus, they seek out library carrels, empty conference rooms, home offices, and secluded cabins in the woods.

Choose a good place to write because writing is important

Choosing a suitable writing spot also has the advantage of signaling to yourself that writing is important enough to you for you to make the effort to find the best place possible to do it. Doing so can be empowering insofar as you are not only writing, but acting like a writer, like someone who writes and takes it seriously.

Think about it. What would be your ideal writing spot? If you can’t recreate that space in your current environment, what aspects of it can you recreate? Can you find the quiet, the inspiration, the movement, the view, the space you need anywhere close to where you are?

Of course, you probably can write anywhere. However, as a writer, you deserve to treat yourself by finding the best location possible for your writing.

Here are ten ideas for writing locations:

1. A library carrel
2. The public library
3. An empty conference room
4. A coffee shop
5. Your home office
6. Your work office
7. Your backyard
8. Your front porch
9. A local park or arboretum
10. A friend's house

Pick wherever works best for you and let the ideas flow!

How To Concentrate Better and Focus on Your Writing

To write, I need to concentrate. To concentrate, I need to have a clear mind. And, when something is bothering me, it is hard to have a clear mind, and, consequently, to write. So, how do you write when you have too much on your mind?

The simple answer is that you can not write when your mind is preoccupied with other things. To concentrate, you have to get the problem off your mind. The difficulty that clearing your mind involves depends on how big of a problem you have. Some problems can be taken care of fairly easily, whereas others are much bigger and require major steps. Let’s start with the easy kind of problems.

Annoyances with an Easy Fix

Let’s say you can’t write because you cannot stop thinking about an annoying email from a student asking you if they can enroll in your class even though they will miss 75% of the class sessions because of baseball practice and you can’t get it off of your mind. (Of course, you should not have opened your email before writing, but, that’s beside the point.) The best thing to do in this situation is to respond to the email.

Do something about the situation instead of letting it bother you. Tell the student attendance is required in your class, and that you cannot make any exceptions. Then, close the browser window and get back to writing.

If you are having general problems with concentrating, you also might consider doing meditation, which has been shown to enhance concentration.

Respond to What's Bothering You and Get it Out of Your System

This technique – of responding to situations that bother you to get them off of your mind – also can work for more complex problems. If, for example, your chair just asked you to serve on yet another committee even though you are already on five other committees and you are all riled up about what to do about it, the best thing to do is to send a firm email explaining why this is not a good time for you to take on another committee assignment. Again, act, and get it out of your system.

Suppose your problem is that you have just received a rejection letter from a journal and feel depressed about your academic future. The best thing to do is to be pro-active. Take out a pen and make a plan for submitting the article to another journal. Set a firm date as a goal for beginning the revisions and for submission. Having a plan will make it easier to move forward.

Acknowledge Your Emotions and Work with Them

It is essential to acknowledge your emotions and to work with them. If you had an argument with your partner this morning, and can’t get it off of your mind, sometimes it is best to acknowledge that you are upset, and to engage in tasks that do not require much concentration. You can fix the bibliography on your latest manuscript or organize those articles that are piling up on your desk. Who knows, you might even calm yourself down while you are busy looking up citation formats in the Chicago Manual of Style.

Of course, there are some problems that are not going away any time soon. You may be involved in a custody battle with your spouse. Your mother may be dying of cancer. You may be on the brink of divorce. To figure out how to be productive in those very trying circumstances is much less simple.

The first question you have to ask yourself is: how long is this going to last? If your sister has been diagnosed with terminal cancer and will die within the next thirty days, by all means, drop everything and spend every minute you can with her. If, on the other hand, you have a mentally-ill brother who requires long-term care, you have to decide how much of a role you are going to play in his care, and set limits to the amount of time and energy you give him.

Setting limits on what you can do for your loved ones is difficult. But, often, it is for the best. If you depend on your job for your financial solvency, it would be detrimental in the long term for you to spend so much time caring for others that you end up losing your job. Once you have lost your job, you likely will be of much less use to your loved ones who rely on your emotional and financial support. So, be sure to keep the long-term in mind.

Finally, do not hesitate to seek out professional help if you are having trouble dealing with your problems on your own. If you find yourself unable to move forward with your life or your work because of constant emotional setbacks, your best bet is to seek out a qualified therapist, psychologist, or psychiatrist who can help you to find the most appropriate solutions for you.

How I Published Three Books in One Year

Have you ever looked at someone’s CV and asked yourself how in the world they were able to publish more than one book in a year or several articles in one year? I have. I often have asked myself “How did they do it?” or “What’s their secret?” when looking at someone’s impressive CV.

I never thought that I would actually publish three books in one year, but I did. And, in this post, I will tell you how I did it. The truth is: there is no secret. Publishing often takes a long time, yet sometimes happens quickly. This, in turn, means that, sometimes, you will see a cluster of publications on a person’s CV.

First, let me clarify what I mean by the statement that I published three books in one year. I don’t mean that I wrote three books in one year. I just mean that I had three books released in the space of twelve months. In March 2011, the University Press of Florida released Yo Soy Negro: Blackness in Peru. In September 2011, Paradigm Publishers released Immigration Nation: Raids, Detentions, and Deportations in Post-9/11 America. In February 2012, Routledge published Due Process Denied: Detentions and Deportations in the United States.

Here’s how it happened: Book #1: Yo Soy Negro: Blackness in Peru.

I defended my dissertation in May of 2005, and immediately began to revise my dissertation with an eye towards turning it into a book. I wrote a new chapter in the Spring of 2006, and another new chapter in the Fall. In January 2007, I submitted a proposal to several presses. To my delight, one editor was interested, and asked for four chapters. I got busy and sent those to her the following month. She was remarkably efficient, and got reviews by the May 2007. One of the reviewers thought the manuscript had promise. The other disagreed. The editor told me that I could submit the complete manuscript after a major revision.

I then spent the summer in Peru collecting more data for the book. I did some more historical work and ethnography and came back from the summer to the University of Illinois at Chicago where I had a post-doctoral fellowship. I dug in and began to revise the manuscript. By February 2008, I had a revised manuscript. I thought it was much better, and decided to submit it to what I considered my dream press. The editor expressed interest and sent the full manuscript out for review. A full year later, in February 2009, she had the reviews in hand. One was positive and hopeful about the book. The other two disagreed. The editor decided, based on the reviews, not to move forward. I was devastated, but determined to publish this book. I revised it yet again, aiming to develop a consistent argument and theoretical line that carried through the text. In May 2009, I sent it to a third press.

This press, the University Press of Florida, was efficient, and had reviews in by November 2009. The two reviews were positive, and the revisions they suggested were minor. Finally! I made those revisions, and submitted the final draft for publication in March 2010. A year later, in March 2011, the book appeared in print.

Now, we get to book #2: Immigration Nation.

You might have noticed in the story above that there were long stretches of time when Book #1 was under review. The first time was in the Spring of 2007. At that time, the book was incomplete, so I continued to work on the chapters. But, I also spent some time on my new project on immigration policy. The second time was between February 2008 and February 2009: a whole year. In addition, I was on fellowship between February and August 2008, and had lots of time to write. It was during this time that I drafted what would become the core of Immigration Nation. In the Fall of 2008, I spoke to a few publishers about Immigration Nation, and wrote a proposal. One of the publishers I talked to expressed interest and I shared a few sample chapters with her. However, the book wasn’t finished, and she was dragging her feet. In the summer of 2009, after submitting Yo Soy Negro to Florida, I resolved to finish Immigration Nation.

In August 2009, I had drafted several chapters of Immigration Nation, and sent those to Paradigm Publishers. They were very interested, and gave me an advance contract. They sent the chapters out for review, and I worked on finishing the remainder of the book. Paradigm sent the reviews back to me in February 2010, and I was able to work on the revisions, as I had just sent Yo Soy Negro back to Florida for copyediting. I sent the revised manuscript to Paradigm in April 2010. The editor got back to me with further suggestions for revision, and I worked on those until November 2010, when Immigration Nation finally was ready to move into production. Getting it into production in November 2010 enabled Immigration Nation to appear in print in September 2011.

And, then there was book #3: Due Process Denied.

Once Yo Soy Negro and Immigration Nation were in production, they weren’t completely out of my hands, as I had to complete the copy edits and page proofs. However, those tasks were fairly minor compared to actually writing the books. In the Fall of 2010, a series editor at Routledge approached me and asked if I would like to write a short book on deportations. I said that I would, and agreed to a May 2011 deadline. In February 2011, I decided that I would focus the short book (25,000 words) on the lack of due process in detention and deportation proceedings, a theme I mention in Immigration Nation, but do not develop fully. I worked furiously on the draft, and was able to meet the May 2011 deadline, more or less. The book went out for review. The reviewer was positive, and only suggested minor changes. I revised the book and sent it back to the publisher in the Fall of 2011. The production process was super-quick, and the book appeared in print in February 2012.

So, that’s the story. It took years for me to publish my first book, a fairly normal time for the second, and an abnormally short time for the third, in large part because it is a very short book. I was able to publish the first two in fairly close succession because of the long review process for the first.

Perhaps I do have two secrets to publishing three books in one year: 1) write every day so that you have lots of material to work with and 2) keep submitting your work until it gets published.

Four Rules for Finding Your Writing Groove… when you’ve lost it.

Have you lost your writing groove? Some of us started the year off with great productivity, but many are seeing the beginning of a mid-semester slump. This post is directed at those of us who have taken a break and are ready to get back on the writing wagon.

Rule # 1: Plan First, Write Second

There are two kinds of writing-related thinking, and they are hard to do at the same time. The first kind revolves around planning what to work on and the second kind is actual execution. Planning ahead makes execution easier.

If I sit down at the computer without a plan, I end up spending the better part of my precious writing time figuring out what I am supposed to work on. This inevitably leads to procrastination, and little productive writing. Instead, when I sit down and my planner tells me I am supposed to be enhancing the data section with additional quotes for my article on transnational networks, then I know exactly what to do.

To get back on the writing track, spend some time before your designated writing time planning out exactly which tasks you need to accomplish. Planning your writing tasks ahead of time facilitates the execution of them.

Rule # 2: Designate a specific time as your starting point

Saying that you will write on Monday morning is a good thing. Deciding you will write on Monday morning from 8am to 10am and putting it in your calendar is even better. When you treat your writing time as an important appointment with yourself, you are much more likely to stick to it. Take a good look at your calendar and decide exactly when and where you will begin your writing.

Rule # 3: Make writing a habit by doing it every day at the same time

When you sit down and plan out your week, try and find a time that you can dedicate each day of the week to writing. If you get into the groove of writing every day from 7am to 8am, it eventually will become a habit and it will be easier to stick to your writing schedule.

If you develop a routine of having coffee every morning and sitting in front of your laptop, eventually, your brain will know that after coffee comes writing. By the same token, if you make your way to a coffeeshop to write after dropping the kids off at school each morning, your brain will begin to recognize this routine.

Rule # 4: Make planning for your week a habit by doing it every week

A weekly plan serves as a roadmap for the week, and it will help you move forward on your writing tasks when you have a better idea as to where you are going and what you have to do to get there. Start this semester off right by making a weekly plan for your first week back at work.

Some people sit down and do their weekly planning meetings on Friday evenings, others on Sunday mornings. It does not matter when you do it, but it does matter that you do it and it helps if you do it at the same time each week.

Taking breaks from writing for holidays, rest, celebration, or any other reason is important and provides much-needed relaxation and renovation. If your break was intentional, congratulate yourself for taking care of your mind and body and preparing yourself for the new year. If your break was unintentional, it likely is the case that your mind and body needed a break and took one for themselves, even as you tried to get them to work. Either way, release yourself from any guilt about what you have not yet accomplished and focus on setting reasonable, achievable writing goals for yourself.

I wish you a productive, happy rest of the semester.